Oscar, Golden Globe and SAG nominations: Best Actor, Colin Firth

For one day only, March 21st, comes fashion guru Tom Ford’s visually arresting adaptation of the Christopher Isherwood story A Single Man.
Starring Colin Firth (Best Actor winner at The Venice Film Festival) the film follows a day in the life of an English professor in Los Angeles mourning the loss of his lover. With Julianne Moore in a supporting role for which she received a Golden Globe nomination.
Check with Empire Theatre for showtimes.
Watch the trailer at Youtube HERE
Also coming to the River Reels Series:
April 18 - The Young Victoria
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Oscar Nominations: Best Foreign Language Film, Best Cinematography

Austrian director Michael Haneke (Caché, The Piano Teacher) directs one of the most acclaimed films of 2009 — Winner of the Palme d’Or at Cannes, Best Film at the European Film Awards, Best Foreign Language Film at the Golden Globe Awards and nominated for Best Foreign Language Film at the Academy Awards.
“At first glance, The White Ribbon (Das Weisse Band) is the most mannered and most beautiful of Haneke’s films. Set in a village in rural northern Germany in 1913, with World War I looming on the horizon, it’s a gorgeously photographed and oddly riveting chronicle of a late-stage feudal society running on fumes. Shot in spectacular black-and-white by cinematographer Christian Berger, and marvelously acted by a first-rate German ensemble, The White Ribbon captures a mood of thickening tension and mounting violence as a series of brutal but apparently unrelated events — vandalism, fires, accidents and abductions — turn the people of the village against each other and shatter what remains of a fragile social consensus.
If Haneke’s most obvious point is that the hierarchical, aristocratic society of peasant Germany was replaced by something much worse — by the “New Order” created by its mistreated children, a generation later — it definitely can’t be reduced to a fable about the roots of fascism. “The White Ribbon” is a dense account of childhood, courtship, family and class relations in a painfully repressed and repressive society, which seems to channel both early Ingmar Bergman and the “Bad Seed”/”Children of the Corn” evil-tot tradition.
Haneke’s title refers to a ribbon parents of the period affixed to the sleeves of preadolescent children suspected of “impure” thought and behavior (i.e., masturbation). On one level, this story is about a very simple notion: The physical and psychic violence inflicted on one generation by another is always passed along, often in heightened and more dramatic form. But this severe and striking period piece is also a story that subtly but constantly reminds us that it is a story, and as such cannot be trusted. Even at the risk of undermining his own film, Haneke wants us to see history as a problematic and partial narrative, one that has more to teach us about the present than the past.” ~ Andrew O’Hehir, Salon.com
Watch the trailer at Youtube.
Due to the length of the film there will be no short this month.
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October 6 & 7 - EASY VIRTUE
November 3 & 4 - BRIGHT STAR
December 1 & 2 - CAIRO TIME
January 5 & 6 - A SERIOUS MAN
February 2 & 3 - CAPITALISM: A LOVE STORY
March 2 & 3 - BROKEN EMBRACES (Los Abrazos Rotos)
April 6 & 7 - THE WHITE RIBBON (Das Weisse Band)
May 4 & 5 -
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If you are on our email mailing list you should have received an order form for a season pass. If you didn’t receive one please contact info@lunenburgfilms.com or print the attached pdf file below. You can also pick up an order form for a Season Pass at the following locations or on the night of one of our screenings:
Sagors Bookstore in Bridgewater
Fulton’s Pharmacy in Lunenburg
The LaHave Bakery in Mahone Bay
Buying a $48 season pass means you get two films for free when compared with the cost of paying the single admission of $8 for each of our eight regular screenings. Pass holders have also received free admission to the bonus screening we’ve held at the end of May the past five seasons.
To print a season pass order form click here:
order-form-2009.pdf
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